A work in progress, “ . . . and Nixon’s coming” combines
art, fiction, and design to create a multifaceted narrative that arcs from the Moscow show trials of 1937 to the American Bicentennial in 1976.  

Divided into four sections, the work views the turbulent artistic and social ferment of the mid 20th century through the experiences of the main character, Kirby Holland, by means of his artwork—academic drawings, comic-book pages, amalgams of abstract expressionism and
pop art, graphics, and animation—and a mix of literary perspectives.